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Following a week of high publicity, with Skatta being called out by dancehall artiste Khago for an apparent diss the previous week and claims by up-and-coming artiste Dazzla that I-Octane, last week’s guest judge on Magnum Kings and Queens of Dancehall (MKQ), stole the concept of his She Want it All Night/Move Up Yuh Body song, the contestants were all expected to deliver exceptionally.

However, the twelfth live show did not prove to be balanced, as the three remaining princesses (all deejays) did a better job than their male-counterparts (two sing-jays and a deejay) who were unwilling to “start the war” as is custom.

Even when contacted neither were willing to say that they wanted to clash the other. And hence begs the question, what will happen this Saturday?

Skatta continued another week of controversy, as he donned a copy of the Jamaica Star, with the front-page story calling for an apology by Khago following on the 11th show. As he walked on stage a dub undertone about the newspaper story could be heard. He opened the paper, shook his head and Nah Apologize by Sizzla started to play to rousing applause.


Resident Judge Skatta Burrell making his entrance.

The audience was again treated to another surprise the MKQ Top Ten Song “Can’t Stop We” was premiered for the first time. Produced by Chimney Records, the single featured impressive vocals from SASSY SILVA, CHARLENE SKYLAR, MAKARIE, MINORI and KONFYDENCE for the princesses. While, SHACK, JONNAH, JAH BOUKS, PAYNE and BUCK 1 represented for the princes. The song was well received and quite shrewd to say the least.

Take a listen

After the song premiere lyrical face-off princess MAKARIE and the crackerjack SHACK were both packed and sent out of the ‘Magnum Mansion’; their destination, home, after receiving the lowest votes based on their performance on the last show.

The show took a different format this week, with all the princesses performing first, followed by the princes; all doing two songs each: a popular one from this season and a new one.


'Ask and it shall be given', seem to have been CHARLENE SKYLAR thinking when she took resident judge Skatta Burrell on his challenge.

The self-proclaimed Commander-in-Chief, CHARLENE SKLYAR, was the first to bat as she did Step to me Lively. She surprised the audience, as she performed to the challenge Skatta gave her the week before, which left him saying, “yuh step lively tonight, a swear…yuh step up! Ratings”. Fellow contestants and rivals SASSY SILVA and KONFYDENCE earned her wrath and judge Professor Nuts liked it and encouraged it by adding, “this a wah mi want see long time”. The guest judge SPICE, despite loving the act, told her to improve her confidence.

Miss Independence was executed by KONFYDENCE. Professor Nuts told her he found her persistence to his liking, given that many persons would want to see her drop out; the audience shouted ‘yes’ and lamented that she should have been sent home long ago. She seemed touch and on her return to the stage was hurling her frustration at everyone. Starting with, “mi tired every week the judge dem deh pon mi like house”. For much of her performance she lacked impact, got some applause, earning the biggest when she threw words at Skatta.

SASSY SILVA had the crowd in her palms as they sang to her ‘Prayers Me a Use”, which once saved her from an elimination. “CHARLENE and KONFYDENCE a go have problem tonight, because a Sassy the crowd a say,” said Skatta.

Skatta told her, “mi respect your fighting spirit”. However, Miss Kitty was more blunt, “no judge is here to get you… We are here to help you, to build you. If we were not on you, like we were, we would not have gotten this. Congrats on a job well done”.


JONNAH in his thobe.

An easy going JAH BOUKS launched into ‘Curves’, as his popular song. Patrons were heard saying, “mi think him did a go do the one how him woman a give him bun”. Nevertheless, he was commended by Professor Nuts for remaining himself throughout the competition. The second time around, Miss Kitty was his target with a groovy lovers selection, which caused her to beam and say, “I felt that JAH BOUKS. It was almost effortlessly done and packed with emotions”.

PAYNE pulled off his set with his “lyrically show-off self”, as Professor Nuts would say, in between “him hard”, “lyrics a fire” from several audience members.

Mr. One-One, JONNAH, was the last exhibit for the night with melody, theatrics and creativity on overdrive. The lyrics of his first song was modified to big up his campaign team, while the second saw him wearing a white thobe (a long robe worn by Muslim men, which is usually tailored like a shirt, but it is ankle-length and loose), sandals and rod in hand like Moses to deliver the people— as the intro to his gospel-themed song suggested.

The females ended the night declaring war on each other. CHARLENE SKYLAR promised “anyone a dem step to me dead”. KONFYDENCE had this to say, “mi a show them the real KONFYDENCE”. “A mi seh me a di general so me just a come fi murder them and done, ” SASSY SILVA opined.

The curtains were drawn on the show with SPICE executing her new single “Twerk” and dance of the said name


The electrifying eight ‘charged up’ Magnum Kings and Queens of Dancehall last Saturday, leaving behind pleased and not so pleased patrons, as the survivors of the ‘Magnum Mansion’ battled it out at D’Entrance.

With only three weeks of voting left in the competition, the Contestants were naturally putting their best efforts forward.  However, not before the previous week’s lowest was to be sent packing.

BUCK 1, who had more or less got an extension the previous week, had his rights revoked. But there was a slight tremor from fans when MINORI and KONFYDENCE were announced in the bottom two, because the former was way better. As fans bellowed MINORI’s name, host Yanique told KONFYDENCE that she was safe to a much disappointed audience.

With that out of the way, SASSY SILVA started the night with a reinvented version of her with a very teenage-esque appearance. JONNAH, who followed, was lauded for his usual creativity,  melody and stage craft.  Guest Judge MAD COBRA said to him, “nuh whale can’t swallow you. You good…every four bar yuh have a farwud”.

MAKARIE showed a softer side by singing against pedophiles. The judges thought it was a risk, because she needed to tighten some of her keys, but said the lyrics resonated well. JAH BOUKS injected his usual smooth and confident “haile” self, picking up comments of “having traits for crossover potentials” for the international market.

KONFYDENCE, after surviving another week, failed to spark any electricity among the judges given her weak performance. Skatta had a problem with her lyrics, saying it wasn’t representative of the level the competition is at. Miss Kitty thought the lyrics were basic. Miss Kitty added, “your shorts and your whole outfit, a do better than your performance. And when that’s happening, its a problem.”

PAYNE, CHARLENE SKYLAR and SHACK pulled the curtain on the show ahead of Guest Judge MAD COBRA’s closing performance.

PAYNE was told his song had the appeal of a jam one could play in their car or groove to. He was commended for his interactivity that got D’Entrance shouting “Payne a di boss”. CHARLEND SKYLAR regressed to her old self (problems with breathe control) somewhat and got a challenge from Skatta to bring stage craft and a better performance if she survived another week. While SHACK was asked to add more punchlines and sharpen his exit.

MAKARIE declared she hopes to take on SASSY SILVA for the crown. While declaring a position SASSY SILVA however said, “mi a de General fi di army and things a go get stormy.” CHARLENE SKYLAR also said she would tackle anyone.

Princes JONNAH and PAYNE spoke candidly on the topic, but stayed far away from declaring war against each other because they’re good friends outside of the competition. However, JONNAH insinuated that he would do what’s needed to cop the top spot.

JAH BOUKS spewed true rastafarian vibration,  saying he wouldn’t be clashing with no man and that they would need to send Miss Kitty for him to clash. SHACK, the 18-year-old kid on the block, shot that being a singer will not hamper his quest for the crown; and only said “silent river run deep.”


Last Saturday TVJ aired the 5th episode in the 5th season of Magnum Kings & Queens of Dancehall. The show featured ten of the 20 remaining finalists, down from 24, competing for the coveted first place to be called King & Queen, and be rewarded 1 million with other prizes.

The last seven weeks (counting the combined audition shows on January 5th & 12th) we’ve seen performances to laugh at, questioned and downright send packing. Last Saturday, we got VIP Access to experience the weekly talent show, and boy-o-boy the comments were brutal. From the comments we put together a review in the first of our weekly MKQ Scoop until the final show.

The face-offs were first with Princesses Charlene Skylar and Glama, while the duo Ziphead & Elegance faced Buck 1 for the Princes. The obvious choice for the crowd were Charlene and Buck 1 the judges agreed and gave them a second chance.


Magnum Kings & Queens of Dancehall contestant SUSPENSE.

The 5th live show got on the way with Castle Red’s SUSPENSE giving a value-for-money performance, while sporting a hairstyle of pencils, rubbers, a lunchbox and a small knapsack that got tongues wagging. Asked by us to explain her style she said, “mi affi keep dem inna ‘suspense’ everytime”. In her song SUSPENSE counseled young girls on engaging in relationship with bus drivers and conductors.

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After two successful seasons of the hit TV series, The Wray & Nephew Contender, and what many have voiced as a resurgence in boxing in Jamaica, the concept of a ‘boxing party’ have emerged from the producers of the popular TV show in Rocky 876. Rocky 876 will unfold history at the Liguanea Club in New Kingston Saturday, July 7th to give boxing and party fans in Jamaica live action at ring side while bouncing to the beat and sipping on their favourite Wray & Nephew mix.

Contender Producer and Rocky876 promoter, Sanjay Ramanand explains the reason for the first ever boxing party: “when we looked at how the Contender was being received, we realized that there was a whole social component that was not being tapped into. People wanted to watch the boxing, but they also wanted to drink and dance and just enjoy themselves; so we thought why not mix the two concepts to create something that has never been done in Jamaica before”.

What to expect? We put the question to Sanjay and were told: “Non-stop music, non-stop fun, non-stop excitement all night long! The event caters to the needs of all people, those who like to party, those who love the sport, those who like to try new things and those who are just curious.”

At the July 7th billed event patrons can expect to see Jamaica’s 2011 Middleweight Contender, Rikardo “Surgeon” Smith takes on Derrick “Guts” Spencer (from the 2012 series).  Spencer fought runner up Contender, Ramel “Sub zero” Lewis in one of the most watched fights in the Contender series this season and should be in the best shape of his life to take on last year’s winner whose last fight was 6 months ago.

The gates open at 8pm and there will be activity from start to finish.  With four fights scheduled, the boxing action starts at 9pm with three amateur bouts before the main event.  And at the stroke of midnight the dance party begins with music from Miami-based DJ, PalmerStylz, and local big shots: Foota Hype and ZJ Chrome.  And the drinks and music will flow until 2am.

Rocky 876 is sponsored by Wray & Nephew White Overproof Rum, Boom Energy Drink, Wata and ElectroTech Productions Ltd. Tickets are available at LG Service Station (Dunrobin) and Just Call Couriers (355-7390) at the cost of $1000 pre-sold, however the gate cost will be $1500. All tickets equals a chance for a front row seat to live action boxing, all the Wray and Nephew mixed drinks you can drink and pumping music to dance the night away.

For more info on Rocky 876 follow the movement on twitter @Rocky876ja, like them on Facebook and for more information send an e-mail to or call 292-5527.

Sponsored by Wray & Nephew White Overproof Rum, Boom Energy Drink, Wata and ElectroTech Productions Ltd., Just $1000 pre-sold or $1500 at the gate gives you a front row seat to live action boxing, all the Wray and Nephew mixed drinks you can drink and pumping music to dance the night away.

Tickets are available at LG Service Station (Dunrobin) and Just Call Couriers (355-7390). Follow the movement on twitter @Rocky876ja, like them on Facebook and for more information send an e-mail to or call 292-5527.

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The music industry is tough business, and for the past 4 years the Magnum Kings & Queens of Dancehall judges have the task of getting these contestants ready for the crown and prepared for the reality of the Dancehall industry.

From the auditions to the very live shows, the comments of the show’s three resident judges, veteran dancehall performer Professor Nuts, internationally renowned producer Skatta Burrell and popular media personality Miss Kitty, seem to be the driving force for the King and Queen hopefuls.

Scatta Burrell explains that their job is to mentor young talents and give them the tools to deal with the unforgiving entertainment world: “When we comment on a contestant’s performance it’s not that we want to be harsh, cruel, bring them down or whatever, but it’s because we want the best or we see and believe that they can do more.”

For its fourth season, Magnum Kings and Queens of Dancehall shifted gears, increasing the number of finalists, chosen only by the judges, to 28, which forced them to split into two groups: Castle Red and Castle Blue, giving more fresh talents a chance at the crown and mounting competitive spirit. So what do the judges think of this year’s contenders for the King and Queen of Dancehall?

The Fluffy Diva Judge affirmed: “Openly I have no favourite, but Castle Red is obviously stronger than Castle Blue…and certainly when you hear the talks on the streets and look back at the contestants they coincide with persons from Castle Red.

Fluffy Diva Ms Kitty

“I would like to see the contestants working on their clarity, which is very important, because the judges as well as the viewing public need to hear what they are saying. Harder lyrics, they need to leave us with that punch-line, leave the audience with something that when they go to vote they remember.”

Agreeing, Skatta remarked: “Castle Red has some stronger contestants particularly the males and you can see that the competitive spirit is somewhat stronger than Castle Blue. Not to say that Castle Blue isn’t delivering, but they need to step up. Not to say Castle Red is doing everything well, but they have certainly been the group that have grown with the show and that’s something I would like to see Castle Blue doing, more than just delivering as if they are still at the first live show…we expect the contestants to be assertive, project, controlling their breathing and working on their clarity.

“Your breathe control is a serious part of your stage presence and much more of the contestants need to work on that to give a smooth comfortable delivery. Don’t exert too much lyrics at the beginning and lose yourself half way and fight to finish…work on your 4 gears…relax, start smooth, and then increase and cruise in.”

Professor Nuts, the lone successful artiste on the judges’ team had more to say about lyrical content, performance and appearance: “As a contestant in this competition your lyrics have to constantly be outstanding. But outside of that you have to have a signature.”Professor Nuts

Explaining that ‘signature’ the comedic artiste notes: “Actions speaks better than words. So you have to dress the part. Make your appearance or swag, as the young people call it now, by adding something else to your performance. This could be your first forward that helps build your confidence and gives you the energy to make you less nervous to tackle the stage.

“Nervousness can affect a performance. Sometimes you find that if the contestant was anticipating a response from the crowd and not getting any there is that fall in confidence and not everything comes across as how it should…not getting that reaction makes them lose the concentration.”

Voting and Campaigning
Miss Kitty also addressed issues that sometimes talented contestants get voted off early: “It’s always hard to see good contestants leave the show, but we have to reinforce if you see someone you like, vote for them, even if it’s just one time. It all boils down to the voting and that is the causality that you have with shows like this. So, if you as the public see a performance you like, support the person. Outside of that the contestants have a part to play…this is like their job now, they can’t stop at a performance on a Saturday night, they have to get that pan to beg, go on street and campaign to ensure people know them.”

Miss Kitty also mentioned: “This is the beginning of the training as an artiste and so they have to hit the pavement running, because at times it’s not going to be easy, they will have to take that CD to wherever just so that disk jocks get it or do an interview at a radio or TV station. This is the beginning of their publicity, the sooner they know they better.”

Beyond the Competition
All three judges agreed that they were all looking forward to continuity from the winners of the competition.

Scatta Burrell

Scatta Burrell

Skatta noted: “Really looking forward to seeing someone going out there, after six months I want to see them standing

strong and moving forward.”

In the meantime Miss Kitty confessed: “Magnum is a platform to start your career and I hope to the winners, both male and female, make a solid ground for themselves after the competition like a Tanto Blacks or a Chozenn.”

Professor Nuts: “Longevity, not just come and go. Also I want to see a lot more of the Queens and females doing much

better, when you look at it mostly the males have been doing better…Press Fyah, Tanto Blacks, Chozenn, Juggla and Singer Jah. Since the 2000s females have been dominating dancehall but it’s not reflected in the competition.”

Final advice
Skatta: “Don’t let the support that you getting now make you feel comfortable, keep going stronger each week.”

Miss Kitty: “Always be consistent and never be complacent. Don’t be fooled, the same mouth that praise will boo you if you flop; so if you raise the bar, keep it up or raise it higher.”

Professor Nuts: “Build a performance character, fill it with the traits you want to be known for and get into that character before you go on stage, so that you can continuously deliver to expectations and beyond.”

Watch the judges advise the King and Queen hopefuls on 4th Season of the number one Dancehall show Magnum Kings & Queens of Dancehall every Saturday night on TVJ at 9:30PM.

Over the last three years “fresh”, “edgy”, “creative” and “talent” are only some of the words that has been used to describe the talents that Magnum Kings & Queens of Dancehall have unearthed to Jamaica. In its fourth season, the show branded as the number one Dancehall Show, will once again bring fresh faces and acts to Jamaica by giving creative and edgy Fashion Designers, along with new models, the chance to showcase their stuff.

As part of a Fashion Segment to begin at the first Live, March 19, Magnum Kings & Queens of Dancehall is asking interested models and Fashion Designers who want to snatch this opportunity to turn up at the Knutsford Court Hotel, this Sunday, March 6, 2011.

The Magnum Kings & Queens of Dancehall team is interested in Male and Female models that are between the age of 18 to 30 with heights of 5′ 4″ and up for ladies and the gents at 5′ 8″ and over.

Both males and female are asked to show up at the Executive Boardroom, Knutsford Court Hotel at 16 Chelsea Avenue between 11AM and 2PM for a Model Casting. Ladies are asked to arm themselves with a two-piece bathing suit and heels, while the men are asked to bring swim trunks and a jacket.

The successful models will be featured in the Fashion Segment of the 2011 Season of  Magnum Kings & Queens of Dancehall.

If you however fall in the category of creative and edgy fashion designer, no need to fear Magnum Kings & Queens of Dancehall still wants you! All we ask you to do is turn up the Knutsford Court Hotel, this Sunday, March 6, 2011 between 2 pm and 3pm. Outfitted of course with your “look book”, photographs or samples of your designs for review.

It’s that simple!

Don’t forget that Magnum Kings & Queens of Dancehall is sponsored by Magnum Tonic Wine, Digicel, The STAR and TVJ the official television station that will also be streaming LIVE Shows at

Magnum Kings & Queens NEW Host Yanique Barnett

On Saturday March 5th Jamaica’s number one dancehall talent show will return to TV. The 4th season of Magnum Kings and Queens of Dancehall will premier on TVJ fresh and clean on Saturday nights with a new host, new venue, new audition format and, as expected, a brand new set of princes and princesses all vying to take the Magnum crown with all the trimmings.

With the exit of Empress, the Magnum Kings and Queens of Dancehall producers did and open audition to find a new host for the hit show. They searched far and wide for a talent who could embody the essence of the show while at the same time bring their own flavour and style to the Magnum Stage. After auditioning numerous interested host hopefuls the producers decided on Yanique Barrett.

Magnum Kings & Queens LogoYanique Barrett embodies all of the swag and flavour that Magnum Kings and Queens of Dancehall has come to symbolise over the last three seasons and she is ready for the Magnum stage. She has pledged to fulfil the mantra of the show which is to usher in a fresh new crop of dancehall princes and princesses for the public’s viewing pleasure: “It’s a dream come true. I am so happy that I will be able to do what I love while at the same time helping the young and talented to buss.”

For the fourth season Judges Ms Kitty, Scatta Burrell and Professor Nuts return to bring added excitement and insightful comments to the Magnum stage. The Judges will select 5 princes and 5 princesses from each of the 5 audition location. After deliberations they will select the Top 20 Live Show finalists (10 Princes and 10 Princesses). The Magnum Top 20 will be announced to Jamaica on two live shows to be aired on TVJ starting on Saturday March 19. The 20 finalists will then compete for the Magnum Kings and Queens of Dancehall crown and $1 Million.

Auditions will take place in February 2011 at 5 locations across the island for one day only from 9AM – 3PM.

Ocho Rios
Saturday February 5
Amnesia Nite Club
Montego Bay
Sunday February 6
The Wexford Hotel
May Pen
Saturday February 12
Bargain Village Car Park
Sunday February 13
Club Afrodiziac
Saturday February 19
Ranny Williams Centre

Magnum Kings and Queens of Dancehall have returned for a fourth with all the swagger and flavour of past years but with some new changes that will definitely excite. The number one Dancehall talent show will continue to showcase the best and freshest Dancehall talent ever to premiere on Jamaican TV. The interactive talent competition filmed live in Kingston, has energized television viewers for the past 3 years and will continue to do so as the fashion, lyrical battles and intense competition will be stepped up a notch as the show continues to showcase authentic Jamaican talent in 2011.